We don’t feel bored for a single second thanks to the inventiveness and richness of the universe created by Sfar, and the film’s winning artistic direction.

These are souls in search of love, battered by life – and death ! – but trying their level best to do what they can with the hand they’ve been dealt, even the big baddie Gibbous, who’s never been taught that love can’t be forced. And of course, there’s Little Vampire and his friend Michel, friends for life but crucially in death, who find what they need in one another to heal their respective wounds: Little Vampire, for obvious reasons ('I’ve been 10 years old for 300 years, I’m bored'), and Michel because as an orphan, he finally finds an audience of friends who don’t look at him with pity, allowing him to feel (relatively) normal, at last.Īs funny as each of the characters is, with special mentions going to Fantomate, the rather quick-tempered but seriously endearing bulldog with an irresistible Marseille accent, and Marguerite, a romantic neo-Frankenstein who cries when baddies lose in films, it’s the flaws of Sfar’s characters which really set them apart. This undead youngster makes his way through adventure after adventure, thanks to the mischievousness and recklessness of our pint-sized hero, but also to the brilliantly drawn gallery of characters who try to outdo each other with witty words and funny retorts.

The friendship between the two boys is instantaneous, but the terrifying Gibbous, a supernatural, moon-headed creature who has sworn to destroy the joyful little community of living dead, insists on throwing countless obstacles in their path. Michel is an orphan who’s prone to problem behaviour at school and who finds himself quite at ease upon discovering the enchanting universe of his undead buddy. He’s been ten years old for three hundred years and he wants to go to school to find himself a friend.

Joann sfar vampire loves